"It is only when we recall Kamensky’s experience as an aviator that “Constantinople” makes sense. The visually arresting, unreadable composition is a literal word-map depicting the city’s architectural features, inhabitants, and urban neighborhoods as experienced from overhead while looking down from an airplane. Little-known beyond a small circle of Russian literary and cultural scholars, “Constantinople” is one of the earliest and most important examples of aviation’s vital role in transforming twentieth-century art." Scott W Palmer
"The visual construction of the poem 'Shchukin Museum' consisted of a big square divided into several segments, separated by line, with words and names of artists inside of each; one had Matisse, and word associations with his paintings; another Monet with the exclamation "No!" next to it; another Picasso etc. The arrangement exactly follows the display of paintings in the museum, room by room. Kamenskii energetically involves his reader in a dialogue, an interaction, as if inviting him to come along.... his reader-companion to wander, to get through the poem and make sense of it in his own way. A Futurist author always avoids closure... enabling his reader-spectator to become a co-author, a co-creator." Nina Gurionova
Either by accident or design , Mayakovsky, Burliuk and Kamensky were on a poetry-reading tour of the southern provinces, and so missed Marinetti's visit to Moscow. Moving on to St Petersburg, Livshits and Khlebnikov were awaiting the Italian with a planned boycott of his lecture- avoided at the very last moment .
“From December 1913 to April 1914, the notoriety of the Cubo-Futurists reached its peak as Burliuk, Maiakovsky, and Kamensky toured 17 cities in the Russian Empire. The appearance of the Futurists (they liked to wear gaudy waistcoats, sometimes painted animals on their faces and wore carrots in their lapels) and their ‘performances,’ which included drinking tea on stage under a suspended piano, drew packed audiences, scandalized many, but also won converts to the new art.” Dr. Shkandrij
Life is shorter than the squeal of a sparrow.
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